Dinsic > Authors > Josep Pelfort Gregori

Josep Pelfort Gregori

La família Bach ha estat una font perenne de fascinació per a oients, lectors i erudits, i els fills de J.S. Bach han estat objecte de nombrosos estudis, no només a la seva Alemanya natal, sinó a tot Europa, l’Amèrica del Nord i arreu del món. En els darrers anys, les obres de Carl Philipp Emanuel i Johann Christian Bach han aparegut –o han començat a aparèixer– en compilacions acadèmiques, i les interpretacions i gravacions de la seva música i de la d’altres membres de la família han esdevingut habituals. D’ençà de la recuperació de l’arxiu musical de la Sing-Akademie zu Berlin, l’any 2001, per primera vegada en gairebé seixanta anys, els estudiosos han tingut accés a un tresor de manuscrits musicals del segle XVIII , que resulten essencials per a la recerca sobre Bach.

Ara bé, tot i aquesta activitat continuada de divulgació, la música del primer fill de Bach, Wilhelm Friedemann Bach, encara es manté relativament desatesa. Encara que sovint se l’ha considerat el més brillant dels fills de Johann Sebastian i el predilecte del seu pare, Friedemann ens va deixar una obra més aviat escassa; a més, aproximadament la meitat d’aquesta obra –incloent-hi algunes de les peces més importants– no ha estat mai publicada. Tot i això, les obres que han vist la llum –sonates, fantasies, un grup de poloneses només per a teclat, diversos concerts i altres obres per a conjunt instrumental, i sis notables duos per a flauta– han estat reconegudes des de fa temps com a úniques, fins i tot dins el conjunt de les obres d’aquesta extraordinària família musical. A diferència dels seus germans, a la música de Friedemann, hi trobem un refinat estil de contrapunt que ens remet a Sebastian, combinat amb una intensitat expressiva gairebé romàntica; d’altra banda, les peces per a teclat, corda i vent de fusta, així com per a veus, assoleixen sovint un nivell de virtuosisme només comparable al de les obres del seu pare.

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<br/>	La fam&iacute;lia Bach ha estat una font perenne de fascinaci&oacute; per a oients, lectors i erudits, i els fills de J.S. Bach han estat objecte de nombrosos estudis, no nom&eacute;s a la seva Alemanya natal, sin&oacute; a tot Europa, l&rsquo;Am&egrave;rica del Nord i arreu del m&oacute;n. En els darrers anys, les obres de Carl Philipp Emanuel i Johann Christian Bach han aparegut &ndash;o han comen&ccedil;at a apar&egrave;ixer&ndash; en compilacions acad&egrave;miques, i les interpretacions i gravacions de la seva m&uacute;sica i de la d&rsquo;altres membres de la fam&iacute;lia han esdevingut habituals. D&rsquo;en&ccedil;&agrave; de la recuperaci&oacute; de l&rsquo;arxiu musical de la Sing-Akademie zu Berlin, l&rsquo;any 2001, per primera vegada en gaireb&eacute; seixanta anys, els estudiosos han tingut acc&eacute;s a un tresor de manuscrits musicals del segle XVIII , que resulten essencials per a la recerca sobre Bach.<br />
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<br/>	&nbsp;</div>
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<br/>	Del prefaci de l&#39;autor</div>
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	Located in the very heart of the old town of Barcelona, DINSIC Publicacions Musicals, SL was found in 1988 by Francesca Galofr&eacute; Mora as a response to her great pedagogical vocation and with the aim of disseminating knowledge and musical production.<br />
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	Its collection includes scores ranging from solo parts, literature for chamber ensembles and orchestras to the great symphonic repertoire, as well as works for choir in all its formations. Some of these collections include publications of critical studies in several languages.</div>
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	<br />
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	<br />
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	<br />
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<br/>	La fam&iacute;lia Bach ha estat una font perenne de fascinaci&oacute; per a oients, lectors i erudits, i els fills de J.S. Bach han estat objecte de nombrosos estudis, no nom&eacute;s a la seva Alemanya natal, sin&oacute; a tot Europa, l&rsquo;Am&egrave;rica del Nord i arreu del m&oacute;n. En els darrers anys, les obres de Carl Philipp Emanuel i Johann Christian Bach han aparegut &ndash;o han comen&ccedil;at a apar&egrave;ixer&ndash; en compilacions acad&egrave;miques, i les interpretacions i gravacions de la seva m&uacute;sica i de la d&rsquo;altres membres de la fam&iacute;lia han esdevingut habituals. D&rsquo;en&ccedil;&agrave; de la recuperaci&oacute; de l&rsquo;arxiu musical de la Sing-Akademie zu Berlin, l&rsquo;any 2001, per primera vegada en gaireb&eacute; seixanta anys, els estudiosos han tingut acc&eacute;s a un tresor de manuscrits musicals del segle XVIII , que resulten essencials per a la recerca sobre Bach.<br />
<br/>	Ara b&eacute;, tot i aquesta activitat continuada de divulgaci&oacute;, la m&uacute;sica del primer fill de Bach, Wilhelm Friedemann Bach, encara es mant&eacute; relativament desatesa. Encara que sovint se l&rsquo;ha considerat el m&eacute;s brillant dels fills de Johann Sebastian i el predilecte del seu pare, Friedemann ens va deixar una obra m&eacute;s aviat escassa; a m&eacute;s, aproximadament la meitat d&rsquo;aquesta obra &ndash;incloent-hi algunes de les peces m&eacute;s importants&ndash; no ha estat mai publicada. Tot i aix&ograve;, les obres que han vist la llum &ndash;sonates, fantasies, un grup de poloneses nom&eacute;s per a teclat, diversos concerts i altres obres per a conjunt instrumental, i sis notables duos per a flauta&ndash; han estat reconegudes des de fa temps com a &uacute;niques, fins i tot dins el conjunt de les obres d&rsquo;aquesta extraordin&agrave;ria fam&iacute;lia musical. A difer&egrave;ncia dels seus germans, a la m&uacute;sica de Friedemann, hi trobem un refinat estil de contrapunt que ens remet a Sebastian, combinat amb una intensitat expressiva gaireb&eacute; rom&agrave;ntica; d&rsquo;altra banda, les peces per a teclat, corda i vent de fusta, aix&iacute; com per a veus, assoleixen sovint un nivell de virtuosisme nom&eacute;s comparable al de les obres del seu pare.</div>
<br/><div>
<br/>	&nbsp;</div>
<br/><div>
<br/>	Del prefaci de l&#39;autor</div>
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$title_section	=	"Josep Pelfort Gregori"
$description	=	"Josep Pelfort Gregori  	La fam&iacute;lia Bach ha estat una font perenne de fascinaci&oacute; per a oients, lectors i erudits, i els fills de J.S. Bach han estat objecte de nombrosos estudis, no nom&eacute;s a la seva Alemanya natal, sin&oacute; a tot Europa, l&rsquo;Am&egrave;rica del Nord i arreu del m&oacute;n. En els darrers anys, les obres de Carl Philipp Emanuel i Johann Christian Bach han aparegut &ndash;o han comen&ccedil;at a apar&egrave;ixer&ndash; en compilacions acad&egrave;miques, i les interpretacions i gravacions de la seva m&uacute;sica i de la d&rsquo;altres membres de la fam&iacute;lia han esdevingut habituals. D&rsquo;en&ccedil;&agrave; de la recuperaci&oacute; de l&rsquo;arxiu musical de la Sing-Akademie zu Berlin, l&rsquo;any 2001, per primera vegada en gaireb&eacute; seixanta anys, els estudiosos han tingut acc&eacute;s a un tresor de manuscrits musicals del segle XVIII , que resulten essencials per a la recerca sobre Bach. 	Ara b&eacute;, tot i aquesta activitat continuada de divulgaci&oacute;, la m&uacute;sica del primer fill de Bach, Wilhelm Friedemann Bach, encara es mant&eacute; relativament desatesa. Encara que sovint se l&rsquo;ha considerat el m&eacute;s brillant dels fills de Johann Sebastian i el predilecte del seu pare, Friedemann ens va deixar una obra m&eacute;s aviat escassa; a m&eacute;s, aproximadament la meitat d&rsquo;aquesta obra &ndash;incloent-hi algunes de les peces m&eacute;s importants&ndash; no ha estat mai publicada. Tot i aix&ograve;, les obres que han vist la llum &ndash;sonates, fantasies, un grup de poloneses nom&eacute;s per a teclat, diversos concerts i altres obres per a conjunt instrumental, i sis notables duos per a flauta&ndash; han estat reconegudes des de fa temps com a &uacute;niques, fins i tot dins el conjunt de les obres d&rsquo;aquesta extraordin&agrave;ria fam&iacute;lia musical. A difer&egrave;ncia dels seus germans, a la m&uacute;sica de Friedemann, hi trobem un refinat estil de contrapunt que ens remet a Sebastian, combinat amb una intensitat expressiva gaireb&eacute; rom&agrave;ntica; d&rsquo;altra banda, les peces per a teclat, corda i vent de fusta, aix&iacute; com per a veus, assoleixen sovint un nivell de virtuosisme nom&eacute;s comparable al de les obres del seu pare.  	&nbsp;  	Del prefaci de l&#39;autor"
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	"id" => "78",
	"url" => "scores",
	"name" => "Scores",
	"parent_id" => null,
	"descripcio" => "<div>
	Our products are organized into the seven general categories below. Each of these areas are divided according either to educational level, difficulty or type of ensemble.</div>
",
	"order" => "7",
	"lft" => "1",
	"rght" => "8",
	"published" => "1",
	"locale" => "en_gb"
),
	"Categories" => array(
	array(),
	array(),
	array()
)
)
$subcat	=	array(
	"Category" => array(
	"id" => "89",
	"url" => "intermediate",
	"name" => "Intermediate",
	"parent_id" => "78",
	"descripcio" => "",
	"order" => "1",
	"lft" => "4",
	"rght" => "5",
	"published" => "1",
	"locale" => "en_gb"
)
)

                                    <?php echo $form->input('five_level',array('id'=>'instruments_level2','div'=>false,'label'=>false,'type'=>'select','options'=>$five_level_set,'selected'=>$instrument_level_set_selected)); ?>

                                <?php else: ?>

                                    <?php echo $form->input('five_level',array('id'=>'instruments_level2','div'=>false,'label'=>false,'type'=>'select','options'=>$five_level_set)); ?>

include - APP/views/elements/lateral.ctp, line 145
View::_render() - CORE/cake/libs/view/view.php, line 665
View::element() - CORE/cake/libs/view/view.php, line 342
include - APP/views/layouts/default.ctp, line 493
View::_render() - CORE/cake/libs/view/view.php, line 665
View::renderLayout() - CORE/cake/libs/view/view.php, line 453
View::render() - CORE/cake/libs/view/view.php, line 387
Controller::render() - CORE/cake/libs/controller/controller.php, line 805
AutorsController::display() - APP/controllers/autors_controller.php, line 565
Object::dispatchMethod() - CORE/cake/libs/object.php, line 119
Dispatcher::_invoke() - CORE/cake/dispatcher.php, line 225
Dispatcher::dispatch() - CORE/cake/dispatcher.php, line 192
[main] - APP/webroot/index.php, line 88

DIFFICULTY LEVEL:

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DINSIC Publicacions Musicals, S.L.
Warehouse: Sepúlveda, 84 - 08015 Barcelona (Calàbria / Metro L1 Rocafort)
From Monday to Friday 9:30 - 13:30
Tels. +34 93 832 69 46
[email protected]
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