Havanera irreal

First the right hand, then the left and, finally, both together. This is the simple technique that will amuse young pianists willing to approach a music of light dissonance and suggestive rhythm; or that at least is my purpose. “Havanera irreal” could by a sketch for a more important and complex work. Yet for now, it only hopes to be a far, subtle, brief and simple evocation of a sensual, lilting rhythm that has captivated, and still does, composers from all latitudes.

The Autor